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writing skills: unity
and coherence
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These are two of the most important aspects of
effective writing. They impress your teacher and examiner and gain many marks.
UNITY
Unity means the writing is 'unified'. When each word and sentence seems to be leading its reader inexorably towards a greater understanding of the overall theme or controlling idea, then the writing is said to be unified- it exhibits unity.
Unity means the writing is 'unified'. When each word and sentence seems to be leading its reader inexorably towards a greater understanding of the overall theme or controlling idea, then the writing is said to be unified- it exhibits unity.
COHERENCE
Coherence means that each part of the writing appears to be 'connected' and heading towards a single conclusion or goal. Coherent writing appears to flow naturally and seamlessly in both style and sense. Each idea is related in a way that helps build towards an overall controlling idea, conclusion or theme in the text.
Coherence means that each part of the writing appears to be 'connected' and heading towards a single conclusion or goal. Coherent writing appears to flow naturally and seamlessly in both style and sense. Each idea is related in a way that helps build towards an overall controlling idea, conclusion or theme in the text.
An effective piece of writing can be compared to a
piece of fine cloth. It seems to its reader to have has been woven together
from words in a way that creates a perfect piece of material with no 'loose
threads' or 'threads that shouldn't be there'.
Most young people's writing lacks some degree of
coherence and contains many empty words. It could be called a little 'flabby'!
A good way to revise and redraft a piece of writing is to look out for the
'threads' that are loose or superfluous to the overall purpose of the writing
and, metaphorically, 'pull them out'. Far from making the writing 'fall apart',
removing loose and superfluous threads (or waffle) will make the writing
altogether stronger and more interesting to read - as well as easier to
understand.
Here are two famous extracts that show clear unity
and coherence:
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'I say to you today, my friends, that in spite of the difficulties and frustrations of the moment, I still have a dream. It is a dream deeply rooted in the American dream. I have a dream that one day this nation will rise up and live out the true meaning of its creed: 'We hold these truths to be self-evident: that all men are created equal.' I have a dream that one day on the red hills of Georgia the sons of former slaves and the sons of former slave owners will be able to sit down together at a table of brotherhood. I have a dream that one day even the state of Mississippi, a desert state, sweltering with the heat of injustice and oppression, will be transformed into an oasis of freedom and justice. I have a dream that my four children will one day live in a nation where they will not be judged by the colour of their skin but by the content of their character. I have a dream ... ...'
Martin Luther King, Jr.
Delivered on the steps at the Lincoln Memorial in Washington D.C. on August 28, 1963 |
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'In the
Reserve I have sometimes come upon the Iguana, the big lizards, as they were
sunning themselves upon a flat stone in a riverbed. They are not pretty in
shape, but nothing can be imagined more beautiful than their colouring. They
shine like a heap of precious stones or like a pane cut out of an old church
window. When, as you approach, they swish away, there is a flash of azure,
green and purple over the stones, the colour seems to be standing behind them
in the air, like a comet's luminous tail. Once I shot an Iguana. I thought
that I should be able to make some pretty things from his skin. A strange
thing happened then, that I have never afterwards forgotten. As I went up to
him, where he was lying dead upon his stone, and actually while I was walking
the few steps, he faded and grew pale, all colour died out of him as in one
long sigh, and by the time that I touched him he was grey and dull like a
lump of concrete. It was the live impetuous blood pulsating within the
animal, which had radiated out all that glow and splendour. Now that the
flame was put out, and the soul had flown, the Iguana was as dead as a
sandbag.'
From the novel, 'Out of Africa' by
Karen Blixen (1937)
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